Triptych
2022, film essay, 8 minThe project presents a conceptual and visual dialogue between Swiss artist Urs Fischer’s monumental sculpture Big Clay #4, installed in Moscow, and the tradition of the triptych. Rooted in religious and allegorical art, the triptych structures the narratives across three interconnected panels, creating a rhythmic progression of tension and resolution. But here, Big Clay #4, with its raw, gestural form and imposing scale, unexpectedly transforms this format — from a sequence of images to a monolithic sculptural entity. And so, it’s a paradox — an object suspended between process and completion.
director: Yana Osman
camera: Anton Khamchishkin
editing: Anton Khamchishkin, Mikhail Bodukhin
music: Uri Lankin
festivals / exhibitions / pitches / labs / awards:
Multimedia Art Museum (MAMM), Night of Museums, Group Show (Moscow, Russia)
V–A–C Foundation, GES-2, Night of Museums, Group Show (Moscow, Russia)
V–A–C Foundation, GES-2, Mediation Tour (Moscow, Russia)
Dom Radio – musicAeterna, Group Show (Saint Petersburg, Russia)
Archstoyanie Land Art Festival, Solo Show (Nikola Lenivets, Russia)
V–A–C Foundation, GES-2, Group show (Moscow, Russia)
Message to Man, Official Selection (Saint Petersburg, Russia)
IFF Spirit of Fire, Grand-prix (Khanty-Mansiysk, Russia)
Vkratze! Film Festival, special mention (Volgograd, Russia)
Shanghai International Short Film Week, Official Selection (Shanghai, China)
V–A–C Foundation, GES-2, Night of Museums, Group Show (Moscow, Russia)
V–A–C Foundation, GES-2, Mediation Tour (Moscow, Russia)
Dom Radio – musicAeterna, Group Show (Saint Petersburg, Russia)
Archstoyanie Land Art Festival, Solo Show (Nikola Lenivets, Russia)
V–A–C Foundation, GES-2, Group show (Moscow, Russia)
Message to Man, Official Selection (Saint Petersburg, Russia)
IFF Spirit of Fire, Grand-prix (Khanty-Mansiysk, Russia)
Vkratze! Film Festival, special mention (Volgograd, Russia)
Shanghai International Short Film Week, Official Selection (Shanghai, China)
